Fiction 2

The Secret Journal of Dr Watson by Phil Growick

By Phil Growick

At the such a lot mystery and unsafe project in their lives, Sherlock Holmes and Dr. Watson are despatched into the baby Soviet Union to rescue The Romanovs: Nicholas and Alexandra and their blameless young ones. Will Holmes and Watson be capable of switch historical past? Will they also be capable of live to tell the tale?

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The Secret Journal of Dr Watson

At the so much mystery and unsafe project in their lives, Sherlock Holmes and Dr. Watson are despatched into the baby Soviet Union to rescue The Romanovs: Nicholas and Alexandra and their blameless childrens. Will Holmes and Watson be capable of switch background? Will they also be capable of live on?

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In Dating Dead Men, the viewpoint is that of the protagonist, Mary Wollstonecraft Shelley, called Wollie by her friends. The story is nonstop action, and Kozak’s thrusters, cliffhangers, and scene cuts work particularly well to keep the action zipping along as Wollie dates forty men in a sixty-day marathon and becomes entangled with a slew of bad guys after meeting the mysterious Doc at a mental hospital, where she’s visiting her brother. In the middle of chapter nine, Wollie receives a phone message from Doc, who has gone missing.

Chapter 3 cliffhangers & thrusters After a reader scans this first sentence, he’ll naturally want to know why Ben was kidnapped and by whom. Mitchard inserts thrusters throughout the opening moments of chapters and scenes, and these thrusters create emotional bombshells that require further reading to discover their implications and impact. In your own stories, look for ways to create intrigue with opening and closing sentences that create urgency laced with emotion. Bombshells aren’t the only ways to manipulate thrusters and cliffhangers into emotional high points.

And then determine if that outcome might work. Danger comes from arguments where the words are so vicious or heated that the pain will never be forgotten. It can stem from trust destroyed; innocence violated; passions quenched; and hopes shattered. The point is that, after these events, the protagonist’s situation worsens. Flashbacks Flashbacks are part of the roller coaster ride of structure because traveling back and forth in time can be dizzying and thrilling. Try inserting your flashbacks at different points in the scene.

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