By Judith McNaught
From sweeping ardour to taut suspense, Judith McNaught has entertained thousands with a beautiful array of feelings in 9 awesome bestsellers. during this cherished vintage, "one of the simplest ever" (Rendezvous), defiant hearts conflict in a livid conflict of wills -- in an excellent age of chivalry.
kidnapped from her convent institution, headstrong Scottish attractiveness Jennifer Merrick doesn't simply give up to Royce Westmoreland, Duke of Claymore. referred to as "The Wolf," his very identify moves terror within the hearts of his enemies. yet proud Jennifer could have not anything to do with the fierce English warrior who holds her captive, this good-looking rogue who scoffs her together with his blazing conceitedness. Boldly she demanding situations his will...until the evening he is taking her in his strong embody, awakening in her an impossible to resist starvation. And unexpectedly Jennifer unearths herself ensnared in a bewildering web...a seductive, harmful seize of delight, ardour, loyalty, and overwhelming love.
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Additional resources for A Kingdom of Dreams
She moved her head in a peculiar gesture of the neck, deliberately forcing her injury on me. She paused when she reached the doorway, waiting for me to step out of her way. I looked down at the scar tissue on her face, a seam left by an invisible zip three inches long, running from the corner of her right eye to the apex of her mouth. With the naso-labial fold this new line formed an image like the palm-lines of a sensitive and elusive hand. Reading an imaginary biography into this history of the skin, I visualized her as a glamorous but overworked medical student, breaking out of a long adolescence when she qualified as a doctor into a series of uncertain sexual affairs, happily climaxed by a deep emotional and genital union with her engineer husband, each ransacking the other's body like Crusoe stripping his ship.
His hand had struck some rigid object as he was hurled from his seat, and the pattern of a sign formed itself as I sat there, pumped up by his dying circulation into a huge blood-blister - the triton signature of my radiator emblem. Supported by her diagonal seat belt, his wife sat behind her steering wheel, staring at me in a curiously formal way, as if unsure what had brought us together. Her handsome face, topped by a broad, intelligent forehead, had the blank and unresponsive look of a madonna in an early Renaissance icon, unwilling to accept the miracle, or nightmare, sprung from her loins.
This bogus commiseration over the dead man irritated me, merely an excuse for an exercise in moral gymnastics. The brusqueness of the young nurses was part of the same pantomime of regret. I had thought for hours about the dead man, visualizing the effects of his death on his wife and family. I had thought of his last moments alive, frantic milliseconds of pain and violence in which he had been catapulted from a pleasant domestic interlude into a concertina of metallized death. These feelings existed within my relationship with the dead man, within the reality of the wounds on my chest and legs, and within the unforgettable collision between my own body and the interior of my car.